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Craft as an Informal Planning Method

Sage Kosmala - Artist

My creative practice investigates family history and cross-generational craft traditions as forms of informal knowledge production that intersect with urban infrastructure and housing systems. By combining traditional craft techniques with discarded and repurposed materials, I examine how people adapt to, modify, and maintain domestic and urban environments outside of nuclear household models and formal planning frameworks. The work proposes craft as a parallel methodology to city-making—one rooted in use, repair, and lived experience rather than permanence or efficiency.

Operating across scales from the street to the home, my work considers how materials move between private and public space, and how everyday acts of making contribute to the shaping of urban environments. I focus on remnants of familial and communal practices—objects, textiles, and materials that function as quiet infrastructures of care and survival within housing contexts. These remnants become sites through which to examine how people navigate housing precarity, density, and the layered histories embedded within built environments.

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My projects take the form of multi-layered installations and domestic-scale objects that invite bodily and spatial engagement. This participatory approach reflects my interest in how individuals interact with the built environment over time, and how meaning is generated through repeated use, modification, and repair.

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The work draws connections between craft, construction, and homebuilding, positioning textile processes as architectural acts that reference walls, insulation, coverings, and temporary structures.

Quilts, layered textiles, and surfaces constructed through garment-making techniques function as material analogues to urban assemblage. These forms reference housing infrastructures, while revealing the social and emotional labor embedded within domestic space. Repurposed materials remain central to my methodology, serving as evidence of consumption, displacement, and adaptation within contemporary cities and housing systems

Each body of work is organized around a specific material, discarded object, or site condition, and often consists of multiple related works that mirror repetition and variation within urban landscapes. I am particularly interested in the historical, social, and spatial connotations of materials, and how they circulate through cycles of use, abandonment, and reinvention. Research and production are deeply intertwined, and the emergence of new materials frequently guides the direction of subsequent projects, reflecting the layered, evolving nature of urban housing and infrastructure.

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Education 

2025 -

Masters of Regional and Urban Planning with Certification in Affordable Housing Development, Portland State University, Portland, OR

2019 - 2023

BFA with concentration in fibers, University of Oregon, Eugene, OR

Exhibitions 

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2025

2023

2023

Paper Doll, Domaine Serene Wine Lounge Portland

I Didn't Sign Up For This ,Laverne Kraus Gallery

Peeper ,Laverne Kraus Gallery

2022

2022

Jumbo Shrimp ,Laverne Kraus Gallery

Fabricated Cave, Laverne Kraus Gallery

Curation

2023

Student Art Showcase and Discussion, Baker Downtown Center

Photo by Jonathan Bagby

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